Someone inside me will not get off his tricycle

Insomnia
Billy Collins

Even though the house is deeply silent
and the room, with no moon,
is perfectly dark,
even though the body is a sack of exhaustion
inert on the bed,

someone inside me will not
get off his tricycle,
will not stop tracing the same tight circle
on the same green threadbare carpet.

It makes no difference whether I lie staring at the ceiling
or pace the living-room floor,
he keeps on making his furious rounds,
little pedaler in his frenzy,
my own worst enemy, my oldest friend.

What is there to do but close my eyes
and watch him circling the night,
schoolboy in an ill-fitting jacket,
leaning forward, his cap on backwards,
wringing the handlebars,
maintaining a certain speed?

Does anything exist at this hour
in this nest of dark rooms
but the spectacle of him
and the hope that before dawn
I can lift out some curious detail
that will carry me off to sleep - 
the watch that encircles his pale wrist,
the expandable band,
the tiny hands that keep pointing this way and that.


The seemingly ever-increasing stress of moving means that I am getting ever-shrinking amounts of sleep. It's a really lovely example of an inverse relationship. Someone should make a math word problem out of it. Billy Collin's image is so delightfully odd and yet so apt. It is a perfect way to capture the insane spinning in circles that my brain does when it ought to be sleeping. Instead of sleeping though it thinks things like, "Call that guy about furniture delivery," and "You need to buy pillows, and sheets...and a mattress," and "How am I going to fit everything into my week?" And I eventually fall asleep thinking these things. I know I fall asleep because my alarm wakes me up, but it doesn't feel like I sleep. Instead it feels like one continuous thought, as if I could fall asleep in the middle of a mental sentence and wake up finishing it.

I think this picture is a kind of bridge between the poem and my mental state for me. Or, perhaps more accurately, it is a photographic representation of how my brain feels while the poem is a literary one and I feel as if the two are connected. These are the wheels of some farm equipment on display at Fort Edmonton. The brightly coloured nature reminded me of the slightly-juvinile characterization of insomnia's persona in Collins' poem. And the simple fact that they are a whole bunch of wheels connects pretty nicely with my always-on brain. Oh sleep, I miss you.